JOSHUA WARE


1 Diagram & 3 Graphs




Aleatoric Graphical Analysis for Anthropology and Economics (A)





Aleatoric Graphical Analysis for Anthropology and Economics (B)




Aleatoric Graphical Analysis for Anthropology and Economics (C)




A Diagram in which to Misappropriate Ψάπφω



A: My heart tongues my eyes & the sounds of each pixel storing image after image in electrical state no longer represent the represented.

B: Some say the Muses nine but turn to 10 to multiplicity. Apple slumbers & simulacrum sing severed songs of Sappho on scale-free networks.

C: All mixed in ethereal packets switching between routers. This is how a mythology re-creates itself in an era of rusted metal.

D: In my madness/dead now a lingua franca for identity politics.

E: How the other takes the other to I to drink red wine & dance in a field of micro-processors, while constructing a micro-architecture that caches memories of a foam-born Cyprian goddess.

F: If the antiqued movements of electrons in a low-pressure space have no history like the waves and boats/ [and] laurel trees on a Mytilene coast,

G: or silver-clear shadows that cut into the moon & flood the earth with faces,

H: or bodies that float through heavy-metal centuries—an imperceptible connecting with themselves through eternity. A more fractured but true history.

 
laminationcolony.com '08:

 Joshua Ware lives in Lincoln, NE where he teaches writing and is pursuing his PhD.  His work has appeared or is forthcoming in many journals, most recently Anti-, Bat City Review, New American Writing, New Orleans Review, Sleepingfish, Sonora Review, and Word For/Word.  He is the co-author of the forthcoming chapbook I, NE: Iterations of the Junco (Small Fires Press, 2009).

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