JOSHUA
WARE
1 Diagram & 3 Graphs
Aleatoric
Graphical Analysis for Anthropology and Economics (A)

Aleatoric Graphical Analysis for Anthropology and Economics (B)

Aleatoric Graphical Analysis for Anthropology and Economics (C)

A Diagram in which to Misappropriate
Ψάπφω

A: My heart tongues my eyes & the sounds of each pixel storing
image after image in electrical state no longer represent the
represented.
B: Some say the Muses nine but turn to 10 to multiplicity. Apple slumbers & simulacrum sing severed songs of Sappho on scale-free networks.
C: All mixed in ethereal packets switching between routers. This is how a mythology re-creates itself in an era of rusted metal.
D: In my madness/dead now a lingua franca for identity politics.
E: How the other takes the other to I to drink red wine & dance in
a field of micro-processors, while constructing a micro-architecture
that caches memories of a foam-born Cyprian goddess.
F: If the antiqued movements of electrons in a low-pressure space have no history like the waves and boats/ [and] laurel trees on a Mytilene coast,
G: or silver-clear shadows that cut into the moon & flood the earth with faces,
H: or bodies that float through heavy-metal centuries—an imperceptible connecting with themselves through eternity. A more fractured but true history.
laminationcolony.com
'08:
Joshua
Ware lives in Lincoln, NE where he teaches writing and is pursuing his
PhD. His work has appeared or is forthcoming in many journals,
most recently Anti-, Bat City Review, New American Writing, New Orleans
Review, Sleepingfish, Sonora Review, and Word For/Word. He is the
co-author of the forthcoming chapbook I, NE: Iterations of the Junco
(Small Fires Press, 2009).
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