Latrell was a native of South Klein, a street
to the North and West. It is not a street on a map or in any
book; few of his neighborhood's streets are.
As a boy walking midday in golden leaved streets, in green grassed
lawns, followed by song birds, as if he were one with suburbia; even
then in Latrell's mind's eye, mounted images of the future of this
place as his, his own place, returned to after years of conquest.
His father, a mechanic, an engine man; his uncle a bodywork specialist;
and on his mother's side uncles, the sons of great Reverends and
Ministers; themselves preachers, singers. Excellent tongue and
voice sparked his blood—special energy; though sadly marred, I
fear, by the streets and callings of his youth.
A Cadillac pulled into his father's shop, and Latrell wanted to sit in
it, to ride Luxurious with the owner. But Luxurious, owned by a
notorious moneylender, was yanked from his reach; his uncle having
saved Latrell the agony of failure, as Jack the Cooch, opened wide his
door and greeted the shop with, "fix my car, monkeys!" Then
Latrell vowed a vow. Alone in his room, he wrote a journal, which
he knew would be one day great; when the Cooch would be dead; when
years of conquest returned him to his place at the throne of South
Klein. His mother had painted his room pink; on the wall a Bambi
trim, Thumper nuzzled firm near Bambi's chest—a miscarriage
prepared for. Hiding his journal, his words, his dreams, he fell
asleep that night; and when the Cadillac was next in the shop, like a
ravenous dog he ran; took to the hood; with one dash of a hammer
shattered the windshield; climbed up the broken windshield to the roof,
gripped the hammer tight, and screaming swung even after the hammer
flew from his grip.
In vain the Cooch threatened the child with a small .22 pistol; held at
Latrell's knee level; Latrell had the blood of preachers, Ministers,
Reverends, bards, and stood his ground. Struck by the boy's
vigor, and ardent destruction of his car; his personage, the Cooch at
last relented, told the boy to watch his future readily, and left.
But Latrell—this preacher's nephew, never witnessed the Cooch's
exit, instead he caught angle iron to his head. They laid him out
on the shop floor, his pulse bled his head, and they made ruin of his
ego. Though, like a man of his blood relaxed in relentless warmth
of the Lord's task, Latrell smiled to himself, as his mother escorted
him home to preen his wounds, and tongue kind and good words.
For truth witnessed—so Latrell tells me—he was activated by
that morning, the sublimity of his violence; his true rage whereby to
make his father still happier than he was; and more than that, still
better a man for standing up to the Cooch. But, alas! the
practice of violence soon stained Latrell's righteousness, and the
Lord's justice: his task defunct to petty violence and crime; his
father: a lost fan. He still held his journal every night, and
wrote, and prayed he once again might return to some good act.
Arrived at last in his own Cadillac; and seeing his peers at their
wheels; and then going to Chicago, and seeing how desire ravaged their
lives, Latrell gave it all up for lost. He thought, no man can be
good and righteous with this place and these hands; I'll die a criminal.
And thus a criminal, he yet lived with his mother, wore criminal's clothes, and tried to speak hate through his blessed tongue.
By his story's end, I asked him whether he figured justice could
prevail in his wounds, and not hate; since he might now consider his
father's act just, he being a good mechanic and father on all
accounts. He answered no, not yet; and added he was fearful
Crime, or rather Criminals, had unfitted him for sure goodness and the
righteous way. But, by and by, he said he would return, as soon
as the Cooch held no more turf. For the time, however, he
proposed to run about, and steal all he could from his Criminal peers.
I asked him what he'd do upon release; touching on his future
plans. He answered, to go to the streets again, in his old
vocation. Upon this, I told him that thieving was my own nature,
and informed him of my intention to drive out to Chicago, as being the
most promising place for an adventurous thief to compass from. He
at once resolved to accompany me to Chicago, ride in the same car, get
into the same thieving ring, the same street, the same mess with me, in
short to share my criminal life; with both my eyes on his, boldly reach
into the gut of the city and take our need. I assented; for
besides my genuine appreciation of Latrell's story-telling style, his
voice, clarity and tone, he was now an experienced car thief, and as
such, could not fail to be of use to one, who, like me was useless at
stealing, much less jimmying a lock, though well acquainted with the
streets, as known to dwellers and gutter-snipes alike.
His story being done, his eyes weary with low light, Latrell pat my
shoulder, let his hand rest on-side my arm, and with a nod he turned
and mounted his bunk, and very soon we snored.
Conor
Robin Madigan is the author of Timothy's Mother (Storyglossia), The
Mess You Made In Us (Smokelong Quarterly), All Turn Away (No Posit),
and Cutthroat, a journal of the arts accepted and published chapter the
first of a novel for the 2007 Rick Demarinis Short Story Award.
Forthcoming excerpts of Conor's first and second novel in The New York
Tyrant issue V and Fiction At Work show his fondness for the
Miniature. He repairs instruments at a private shop in Evanston,
Illinois.
KLEIN'S LATRELL by C. Robin Madigan
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