Within the psychic architecture that is EVER, Blake Butler explores the way
bodies swell and contract, going from skin to house and back again. And the
way houses too shrink to fit us first like clothing and then like skin and
then tighter still. The result is a strange, visionary ontological
dismemberment that takes you well beyond what you'd ever expect.
  Brian Evenson

Blake Butler is a daring invigorator of the literary sentence, and the room-ridden narrator of his debut novella, EVER, nerves her way into a hallucinative ruckus of rousing originality.
Gary Lutz

In EVER – as in, indicating any time in the past or future – light is entropic; “the sky could lift your skin off”; domestic rituals are anamorphotic mind fucks granting “no exit method”; and doors won’t open even when you don’t try. Articulating viscera, ever inside, Butler’s narrative dispatches are enclosed between parentheses like unfinished houses, the pages opening out occasionally into exquisitely burnished fields of imagery. Much in the way minerals are pushed up past the mantle by core collisions, EVER reads to me like new evidence, delicate gear that allows us to glimpse a place we’ve always lived but still don’t know.
Miranda Mellis


|        104 pp. Perfectbound. Illustrated by Derek White. $12 + s/h

|        Excerpts: 13 Plastic Doors in Unsaid Magazine  |  Comb Room in Tarpaulin Sky 15

|        ORDER now from Calamari Press


                * EVER on Goodreads

                * Blake Butler interviewed by Rauan Klassnik (author of Holy Land).

        REVIEWS

                * Johannes Goransson: 'What makes this novel very interesting in this context is
                         that it seems to be written from the other direction - not a murder mystery that loses its
                         narrative, but a narrative-less cinematic body-fantasia in search of a narrative.'

                * Sean Lovelace: 'Ever has glide, that mysterious flow of words that will propel you down the
                         tunnels, down the plumbing pipes, the doorways–into the walls. The walls of EVER: cold,
                         gray, white and full, crumbling, crumbling within themselves, the null and void of “…the
                         morning of no sun.”

                * Luca Dipierro: 'Ever is one the few books that entered in my organism through my mouth instead
                         of my eyes.'

                * Daniel Bailey: 'the book reads like a massive poem to no one and nothing that has ever existed.'

                * Kevin Wilson: 'if there ever was a book created to be read while holding a feverish baby against
                         your chest, this is the book.'



                
             


*. FILM(S)(S) |
 #. EXCERPT |

@. DELETIONS |
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| | | | | | | | | | | |  A NOVELLA BY BLAKE BUTLER from CALAMARI PRESS | | |