Bowling With Orpheus
By Benjamin Buchholz
Bowling.
Bowling as denouement.
Here the tracer glides in
graceful arc outlining Nordentoft in wait while cities wash dark
cinnamon trail taillights and upper-deck brittles emerge into lofted
tongue, into streaking headlights come hither onto through and beyond
bare graymatter Autobahn. Here the ear-muffed taxi driver sits humpy on
the roundabout waiting for airport golight to green so that the ramp
opens and he can stop circling and cussing in his quiet fried kettle
sauerkraut way. Here the stained concrete and zeitgeist graffiti of
foreign words from a World War in which the object is to be known and
remembered beyond the demise of the mortalbody fights its battle in
oaths of elegiac couplets spelling so-and-so ‘n’ so-and-so will last
forever love forever amusing themselves with little lover lies that
blind them to the lyrical locking-out of their already cutlung fate.
No green.
Sleet
and slippery slope reasoning on butt-shined seatcushions, doorhandles
wherein a thousand hands have passed and will pass fondling done or
workaday homeward drunken drained and who among them have been really
wholly frivolously fainted savoring it while sipping the Khayyam call
of verse with thou so that wilderness became to them paradise enough
and the bread they baked together into their nakedness trembled, rose
golden into the sawn of their devouring?
Did
they not long, long, linger, and lust for something in them hollow to
be filled? Even in the consummate clawing dark of unclothing each other?
Herr Taksi-driver, Nordentoft says, not here. Not the aeroport. Take me elsewhere.
Certainly,
monsieur, he says. Does he think Nordentoft is French? Or is he
speaking to the French ghost of a gendarme who joined our hero on his
trip to Ramstein home?
[I tried to ignore him, Nordentoft says,
I swear it, doctor, I did, but he had one of those Pink Panther Peter
Sellers mustaches and I had to just ask him a few questions about
Tripoli]
The circumnavigation of the stoplight once again and
away, away, through Frankfurt low-skied and cinder through stoplight
cornering and speeding the straightaways to whereabout?
Hotel.
Which?
Downtown.
Okay.
And
under a plaza canopy his few bags Nordentoft hands to a bellhop his few
cents he forfeits to the boy’s tip plastic prophylactic enough for
tonight and rising on an elevator already half-asleep he pots his plane
ticket among the bows of faux hydrangea where the branches end in metal
needles thrust into decaying Styrofoam ballast.
Nordentoft ain’t going home. Home is here where he is best crazy.
Nordentoft
showers and unpacks everything out neatly in rows and files on
bedsheets with blankets thrown back and pillows propped toward the TV.
His military gear hunkers behind in a dusted remoteness of some Kuwait
staging somewhere shipped bulk and uncomprehending in boxes back each
neatly labeled as if returned to a coffin. Here there are toothbrushes
plenty. Here there are shampoos and small soaps stolen from a first
hotel, a second hotel, collected in the grace of coming and going
between always and nowhere. Here Nordentoft slips into himself with
embroidered Cowboy pockets, playthings, and a big Cowboy buckle brought
back midtour from New Mexico, aviator sunglasses and brill cream,
satyr’s beard, new-growth, a wisp Diego definite on jaw and jut of
chin, chill.
Nordentoft
shakes liquid and lamplit down rose-knurled carpets repeating patterns
into an antiquity of knuckled hotel and out walking lines and edges
crazy to the curb continental in his want to be Vince Vaughn shining
know ye the taksi-driver goes into the world into the caverns of the
world where in the nightlooms he might manifest us amid sound and
splendiferous catcages howling letting him alone fire the clicking
cigarette to commemorate our majesty and burning and may he talk
strangle shout to the bumping Philippina in spandex rub big German
girls and gallantly put the last great American uxory on display this
necessary release into what mortal you must be deeply unfathomable to
find, O, Nordentoft, so soon speaking to yourself with a piebald
neo-Nazi and his girl.
Yah, they nod.
Yah, yah, she says, smiling.
Nordentoft buys them drinks. Nordentoft holds his hands to his ears, hearing me multiplying with him. Hearing primes.
Fraulein
says, yah, and grins and when her boy goosesteps to the latrine she
snuggles up closer and places her hand on Nordentoft’s groin.
What, when you unzip him?
Ghosts. Imaginary numbers.
And cold.
Her
eyes shovel away with Nordentoft’s deflated expectations on display and
we into the throng twilight rising return, there at last amid the
sweeps of liquor to puke to play selfish simpleton hopscotch because
they can’t usher us out the door -- Nordentoft, ghost, gendarme,
blownflower face of the girl and I -- tossing jacks, waiting for
mother, me her chaperone, Nordentoft cannot leave her, no, Joe told us
so, burnt Joe, Joe said Nordy had to watch out for us now,
chillychillybangbang, all of us collected here on the balcony’s edge
with the womb of our last war inside-out around us and flaccid.
Nordentoft
looks like just another kick ‘em out, does not protest the sweep,
nicely, nicely as can be, to huddle on the hard edge of an overpass
waiting.
When the sun rises we are all of us moved to pray.
It
rises through fog and smokestacks and bent down cellphone towers and a
bright bank of cloud gilded on its underside, concrete makes us laugh,
laugh and dance and get naked and run giddy giggling, crying, O so very
effulgently Omar downward into the police.
We pray solemn spaghetti-o prayers.
We
dust skulls. We eyesocket fingers. We rattle the parallax toward them,
the pins, as the heads English left-handed into stacked blueshirts,
words, splitting the balls, cracking, piling into the barricades and
bomb-blast suits of sentimental, autobahn, I’m freezing, shivering like
the grave, numb, wanting to pi out into the sunrise at right angles.
Nordentoft
chimes up voices noise-some ear necklace alone all beginning to caw
prayer, sounding something like this, though not literally at all, not
in any lexicon you should shake your liquid at, no:
[
. . .and. . .
]